What’s the state of literary criticism for children’s books? How is the business of children’s book publishing changing, at home and abroad? How do we keep feeding insatiable young bookworms and how do we create new reading converts?
And: why write for children? And which of today’s kids’ books will be tomorrow’s classics?
We explored a bunch of these questions (and more) in a recent talk which you can listen to on our website/podcast. But what's your view?